Bonfires (5)

I love the smell. The smell of bonfires. The smell of the embers of bonfires on the beach. It’s the sunny weather, students stay up all night on the beach huddled around fires. There were two this morning, the smoke wafting softly across South Marine Terrace. I hear their voices, muted by cold. A rite of passage, I suppose. It’s a warm smell, smoky and rich.

I rush in writing this, I’ve work to do. As always, and too much admin. It sucks up my working time. But I feel better when it is done. An emptying process. I make lists, I fill post-it notes, in an endeavour to do the same, emptying myself, my head of minutiae. What am I emptying myself for? Space. Silence. Non-thinking, non-being? Nothingness. How glorious. Free of concern, free of burden, free of trying too hard to be good. Just being. Like cats, like birds, like trees. Precious unconcern.

He keeps coming into the coffee shop and disturbing his newspaper reading. The butcher. The green-van-owning butcher. He made him laugh yesterday. They were talking about the Welsh predilection for giving people nick names. The butcher told him about a friend of a friend who had gone to prison for murder. He’d shot his wife’s lover. However, he’d applied for a re-trial on the grounds that he’d not intended to pull the trigger but just frighten him by wielding the gun. He got off. And now he is known as Bryn Bang Bang. Others I can recall him telling me about are Dai Top Shop (he and his brother used to run a garage at the ‘top’ of town) and Dai Coat Hanger (his shoulders are permanently up close to his ears). As affectionate as Under Milkwood. Thick-voiced cosy.

My lovely, the courier called me yesterday. Young enough to be my son, I suspect. My lovely. Sign here, my lovely. Miss or Mrs. Ms.

She poured it all out yesterday on the phone. The first time she has mentioned her husband. Now ex. I strain to hear her. Her voice, dulcet is often muffled by wind and dog barks (she is often out walking when I call, and the neighbour’s dog, Bonnie goes with her). (Bonnie had a stroke a couple of weeks back. Her eyes went all funny, she told me. I ask how she is. She’s keeping going. She wants to live, she says.) I didn’t ask too many questions, I just let her talk. Her daughter won’t see him. I got frightened of him, she said. I felt such warmth towards her. She uses my name often. I like it. I feel connected to her. We talked of cremation, of taking flowers to her parents grave. Some daffodils.

Grahame Greene was kind, the writer said. The writer’s book has been serialised on Radio 4 extra, I’ve been listening to it before I walk in the mornings. Graham Greene as mentor, as lodger in his head. He followed in his wake, to Cuba, to America. Kindness. Greene used to send Muriel Spark money so that she could continue to write.

The fish lorry was down by the harbour this morning. No one was about. No fishing boats. The driver must have been asleep in the cab or cosied up in a B&B. There was no fridge noise. No whirring. Silence. I walked the Perygyl. Stars flickered on and off. A seagull traversed the sky, a gliding line of white. Past the Castle then into the wall of noise. Outside The Angel the kids gathered, reeking of stale beer and cigarettes. Swaggering youth. Shouting. Down the hill and crossing the road at Boots Opticians a group of three lads in hoods. Still dark. They come too close, talking gruffly to each other. Do they sell ciggies in garage? one asks his friend. Hackles down, they turn the corner towards the station. No threat, ever.

I am safe. Safe in my nothingness. They do not see me. I like that. I watch, listen and wait.

I pass the Pelican Bakery, open at 6.30 am just like in France and Spain. The early morning flurry of buying breakfast sticks, brioche and croissants. And the buzz of hotel vans collecting their sacks of bread. One-day bread, too dry for the next. Can I have butter, mantequilla por favor, avez-vous du beurre? Daily bread. Our daily bread.

To work. Off. Now. A bientot.

Pyjamas

There is a figure in white, standing, Christ-like by the water’s edge. It is not yet, 3.30 am. It is cold. The roofs of the cars are frosted. The water will be ice. I walk closer and peer down onto the beach as I kick the bar. One, two, three. It is a girl. A young student in pyjamas. She stands immobile, letting the water run over her soft soled shoes. Turning to continue my walk, my heart jolts when I look again and she has gone. Don’t make me go into the water, I plead. What to do. What to do. Do I intervene? I stop and look again. There she is. I hear the crunch of pebbles and watch her return to the Halls entrance. Her arms are bare. She shivers. Her hair is lank by the side of her face.

They seem immune to the cold. The young. I see them coming out of the clubs in the early hours, t-shirted or short-skirted. The girls skittering in heels.

My coffee is percolating and I stand at our living room window looking down onto the quadrangle below. The man with the basement floor flat is cutting his nails, letting the parings drop onto the pavement. A fastidious man, I think. He washes continually. It is always out with the sun, hanging from a line or  an airer. A welshie, he would call him. He works for the Welsh Books Council. A Welsh flag is suspended from a rod outside his door. I thought it was just for the football, but it is still there.

Later I watch the cat, the one who lives in the ground floor flat above the welshie. They leave a window open for her. She jumps in and out with ease. I watch her pouncing on leaves, stalking flies. A pink label has recently been attached to her collar. She doesn’t wander far, is nervous. The children across the way play with her, she shows them her belly, sprawling, legs akimbo.

He came into the studio early. His hair, grey, was a mighty quiff, gelled sticky. His trousers were baggy and he wore over-sized walking boots. Nervous, edgy, he shook my hand. Water, I asked. No, thanks, he said, shaking a bottle, I have this. I asked what he’d come to talk about. Meteors, he said, meteors hitting the moon.

 

Spider-Man

The funeral of a not-so-old man is all over the papers. A killer turned peace-maker they are calling him. One man wished him to hell, another, the son of his rival recognised he’d changed. Redemption, forgiveness. I remember his face from childhood and how it was recently. He had warmed, grown softer, kinder it seemed. Rest in peace.

He keeps parking his big green van in the driveway. Aled, one of the town butchers. He knows him. Not well but to say hello to and banter with. That fucking van, he says. I bet it’s Aled’s. It is. I saw him getting into it this morning, he says. They laughed about it. I bet you think I’m real trade, he said to him. An energetic man. He and his wife have just bought a large house in St David’s Road, hence the parking of the van around the corner. Butcher and entrepreneur. All sorts are put on display outside his shop. Plants, Christmas trees, cut flowers, fruit, vegetables. He had a short spell in prison for fraud. It was years ago. He’s open about it, sanguine. A resilient man. A cheerful man.

Two sessions at work yesterday. A chance to return to Jenny Diski and her fear of spiders and how to write about real people without offending them. She calls her the Farmer. The woman from whom she is renting the cottage in he Quantocks from. How do you write about someone without undermining their privacy? It is something I wonder about to. I need to write about things that happen to me. The real is so much more potent for me than fiction. I need to tap into the sensation of it. What do you do? Change names? Or use titles like the Farmer. I don’t want to hurt. It’s just that it is my life too, my experience. Can I own it in print?

Walking past the Why Not? club at four this morning there was a sprawl of students, one of which was in a Spider-Man outfit. He head was uncovered. I’m Spider-man he was saying to a girl who wasn’t listening.

Bod

I’ve got cystitis. I haven’t had it for years. Not since I was in my twenties, I think. And yet I remember my mother-in-law was forever getting it, and she was well into her nineties. They all did, in the home. Bodlondeb. Or Bod. There cranberry juice was treated like fluoride and drip fed into their water. Bod. We were always there, in those last few years. It’s something to do with an acid imbalance, I believe. I used to use yoghurt. A messy business. It stings. It was a sad time for him. I thought it would break his heart. An airless, shabby place but the staff tried their best. They were kind. Are kind. An endless round of tea, biscuits and changing nappies.

We’re watching The Theory of Everything, the film about Stephen Hawking. I wasn’t sure I wanted to. It made me uncomfortable, the thought of it, squeamish. I am ashamed of this. So I move into it – move towards it. And am rewarded. It is a fiction, of course, but a gripping one. Eddie Redmayne is marvellous. His eyes glister with life. The loneliness he portrays is palpable. How has Stephen Hawking lived so long? A friend’s mother had Motor Neurone disease and was dead in six months. Devastating. Is it will? Pure will? He must be well into his seventies now and yet he was given two years, at most. Questions. Questions about the nature of life. All life is sacred, I read yesterday. Amen to that. Yes. And yet, we have free will, do we not, should we not be able to end it if it gets too unbearable? But what is bearable? I remember the programme on euthanasia that Terry Pratchet hosted with the man going to the Switzerland to die. He had Motor Neurone disease. And the other man who took the pill because of depression. One person’s bearable is another’s unbearable, I suppose. In the film a French surgeon (after Stephen contracted pneumonia) asks his wife, Jane, when he should turn off the life support system. Angrily, she replies, Never, Stephen must live. Is it enough? To be completely reliant on others, to have no physical means of movement, to not speak. I don’t know. I cannot say. But his eyes still shine.

The wind howls. I was blown about this morning.  I like it. It is alive. As indeed am I.

The piece is written.

Ten

How much out of ten? he asks. Every morning. It’s usually four. Sometimes three. Sitting in the sun in Aberdovey sharing a pot of Lapsang Souchong tea from proper silver tea pots, it was nine. Ten is reserved for Spain or Italy when the light is so white. It was a good day. I felt warmed through. Our faces pinked. To just sit and stare at the sea. Nearing bliss for a mid-March day. Thank you.

Walking yesterday, early, there were a couple standing in the road. They stood arms around each other. Quiet. He kissed her forehead. She wore a red short-sleeved shirt and her ankles between the end of her jeans and her trainers were bare. Later, on the way home, they were ahead of me. They walked slightly apart, not touching. Quickening my pace, I managed to read what was written in white transfer-printed letters on her shirt. ‘Rory Thrush Makes Me Gush’. Half and hour before I’d passed The Angel. Across the footpath outside the Academy a cluster of youths lent against walls. A girl was pressed up against one of them, talking. Your shoulder’s fine, she was saying. I know it’s fine, the lad replied, but going out, it’s killing me.

Caught in the rocks beneath the Perygyl are two trees. Dead now, and carried there from god knows where, they are stripped bare. White now, they shine in the dark. Pearlescent. Shorn, sheared of their bark-ish protection. Denuded. Vulnerable. The next morning they are gone.

A kindred spirit, though I suspect she would not of appreciated such appropriation. She wrote of her fears, her anxieties about how to behave amongst strangers. She fretted, as do I, about seemingly small things. For me it is the anticipation of a loss of energy, a draining. The draining that goes on at night. When I have to be up late. It is sucked out of me. And tonight I must be out. If I am honest I’d like to be in bed by 7 pm. The nighttime is not for me, it is the morning I cherish. But tonight I need to observe, find material for an article. I anticipate the event with pleasure, it is just the lateness. The draining of my precious energy.

So be it. It will be done. And there is always a reward. Always.

On trying to keep still

I reread Jenny Diski’s On Trying to Keep Still wholly mindful of the fact that I cannot. I try. But it is this moving, this doing that I must do, always. I want to be still. I keen towards those that are. Like mothers. Still mothers. Mothers who sit, watch, smile, returning inward to their secret womb. Diski goes to a wooden shack in New Zealand and a farm cottage in the Quantocks to be still. And yet it is more about being alone, being left to her own devices, to do as she pleases that she seeks. The stillness is a whole different thing.

Glorious birdsong this morning. 3.30 am and they were in full song along Llanbadarn Road. I don’t know them all, but I could make out blackbirds and blue tits. Layer upon layer. I let it surround me, enter me, take me over. I become nothing. A sounding board, a sponge that exists only to absorb their song. Nothing down by the Prom. There, there is only the occasional screech of a gull, the chitter of the starlings under the Pier and the now and then pip of an oystercatcher. It is like walking through a membrane of sound. Pushing through. Hard. Resistant even. I pull myself out of sleep for this. This connection, this forgetting of self. The swallows have returned, he said, reading from The Times’s Nature Diary. Apparently, he said, we’ll see them in the West and the South West.

I’ve begun the clear out. Out. I wanted to give my drawing board away. A great cumbersome thing. I remember it from Bath. My bedsit in Bath. Everyday dragging it from under by bed to lift it up onto my table. Then back again at night, under the bed. But he talked me out of it. He looked grave, cautious. He knows me. Hang on to it. You never know when you might need it. Drawings have gone. Writings have gone.  Sewings have gone. Making room. Today it is paperwork. Shred it. Shred it. He throws out clothes. Jumpers. Passing them on. The women in the charity shop are delighted. We love your things, they say, pulling them from the bag.

I want to lighten myself. To relieve the heaviness of the matter that keeps me here. Like a balloonist dropping stuff over the side of the basket. The lighter he is the nearer he is to heaven. Up and up he goes. Sailing upwards. Light as air. I felt light when I went to Norway. All my stuff packed up in storage. All I had was one enormous suitcase. I felt light. I felt unencumbered. I carried them in my head though. The things. And sometimes I longed for them. Thought about them bubbled-up in Mach.

My sister calls and I am thrown off course. The day’s plan momentarily awry. And yet, I love the love I feel. It pours from me to her. She has it. Whether she knows it or not. It is there. Uncomplicated. Love.

Just like I feel for her, and her, and her.

Is this work? I ask myself. This clearing out. It needs to be done but my mind wants to create, to plan. Hold fast. Wait. Make space. Be still. Still.

Rose Tattoo

Six hundred miles. Over six hundred miles to see a rose tattoo. A tattoo in the shape of a rose hidden beneath a sleeve. Do you have any more? I ask. And she dips her head, lifting her hair from her neck to reveal a cascade of stars. Her movements are slow, measured, careful. She is tender. Any more? She smiles, catching his eye across the table. Just one, she says. A butterfly. To her they are more than beautiful, they are her right. Don’t tell, she says. I won’t. I won’t tell.

Six hundred miles. Neither of us slept. Not him, her. Churned up with joy at friendship and encountering such a well of loving. For all of them. I couldn’t rest, there was no peace in such feeling. A misted rain. In between a trying for sun. The ferry to St Mawes. Dozing in my hotel room. Two pots of tea, Assam then Yorkshire and a black vessel with its kiss of gold, to take home.

Coming home and all that re-adjusting, not there but here. Walking in the early hours and a boy coming out of the sea. I couldn’t work it out at first. So pink. What was it? A boy. A naked boy. His friends standing way off under the shelter, laughing, one with an apricot dressing gown spread wide waiting to enfold him. Making him walk, in the rain, barefoot and bare-bottomed along the Prom. He walked slowly, his hand over his genitals. I was behind him. Far behind him. I heard their whoops. Even when he got to them he didn’t rush to dress. Happy in his nakedness. Proud. Walking past them I saw he had a beard. A Christ-like figure. Neat in his youth. Perfected.

I need to clean. To sort out. To sort out my studio. Too much stuff. I need to clear a space. Space. To begin again.

Why do it? she asked. A good question. I mull it over. I gnaw away at it. Be all that you are, he says. You have so many talents. Listening to Marian Keyes on the radio I am thrown. How nice to be just one thing. One perfect thing. Not me. I am magpie-like, searching out the shiny. So be it. Write it out. A sewing diary. Write it out. Stories about women. My women. I see their details, not their whole. So be it. Write it out. Begin.

There is power in the beginning, Goethe said. So begin.

Rain (467)

The rain hadn’t come when I walked. Just a few spit spots. I hear them on my coat, my hood. Spit spot. I like the smell of the air just before rain. And the pavement tarmac, anticipating the wet. It is sheeting now. Rolling rivulets on the windows. Why does heavy rain unsettle me? I feel a little unsafe. Is it memories of our flat roof in Cambridge? And seeing the rain collect in pools. Weather defies us. Particularly here. It erodes, eats away at our bricks. We forget our humility, our vulnerability at our peril.

We’ve been watching Castaway. We watch films in bits. Bite-size bits before bed. Over three nights we watched him, Tom as Chuck. It was gripping. At least the island bit. The end was rather schmaltzy. Four years on an island alone. It is seductive. That aloneness. That simplicity. That doing nothingness except surviving. And yet, he didn’t want to be there. He didn’t relish the island’s beauty, its remoteness, its bounty. I’m good at the surviving bit. I like playing house. I did it a lot as a child. We made dens. I made them inside and outside the house. The simplicity of finding shelter, finding food, heat and rest. It is when it is forced upon you, that is the issue. We want to chose. To chose our peace.

A fug. I’ve been in a fug. It follows me, lurking just to the side of me, turning everything grey. I try to fight it, feigning fun. What would happen if I yielded? Went to bed and hid. I love to go to bed in hotels. Afternoon escapes. Hiding. Where no one can find you. Playing Scrabble on a rainy afternoon in a hotel in Amsterdam. Double pneumonia, sang Lloyd Cole. Time standing still. Dead time. Empty time. Holiday time. Seeking nothing. Finding nothing. Nothing. Being nothing.

The fug makes me touchy. Snappy. Behind-glass wary. Snap out of it, she would say, or I’ll give you something to cry for. What is it? Lack of sleep, menopause or the winter blues? Why fight it? Go into it. Know it. Embrace it. It is sensation after all. Feeling. A you-are-alive feeling. We expect to be happy.

I walked before the rain. The back way because it is Sunday and the bakery is shut. Not that I buy bread, I just like to come down the hill and smell the bread. That’s all. A treat. I have my landmarks, my stopping points. The top of the little hill into the Castle Park where I stand still for a moment and watch the hydrangeas swaying in the wind. And think of my mother. I don’t know why. She comes to me then. Though she has gone. Is no more. Is nothing. All that pain, hers and mine. Gone to nothing. I am emptied of it. The back way takes me past the station. Before I get there a girl and boy walking together ahead of me. I cross the road and pass them. She is in pink trousers, a wide-hipped, Botero-esque, red head. She wears a white t-shirt with a small strawberry motif on her chest and the words, BITE ME above it. Good evening, she says in a quiet, warm voice.

Yesterday, walking past The Angel at pouring out time, there were a black couple. Their bodies leaned against the railings surrounding the stairs leading up to The Academy. There was an awkwardness, a newness to their physical interaction. I’m the shyest girl ever, she was saying. Her hair in oiled ringlets hung about her face, her lips wet with gloss. Everything shiny in the darkness. I don’t really understand why you’re talking to me now, he replied, his fingers teasing at the chipped paint of the railing. A-wooing amidst all the hubbub. Another girl holding court with a group of grungy roadies outside The Angel. If I had a beer now, she said, I’d get really excited.

Days before, I encountered a couple pushing a small, red pushchair down the hill into our courtyard. 4.30 am, pushing a baby. Scurrying, hurrying, rucksacks on their backs. A flit? A train to catch? The first train doesn’t go until 6. A coach maybe. It was an expensive pram. High off the ground, and small.  A newborn perhaps.

Reading Jenny Diski all about her escapes to stillness. New Zealand and the British Countryside. Was it Devon? She writes with a brusque, almost ruthless clarity. I read it in bits. Bite-size, enough to fill my mouth, and chew. She is so easy to read. It is luscious, a falling into softness for me. And yet, she is hard-edged. She writes about Heimlich, notions of home. The despair of being away from it. Not it, the real thing, but the idea of it. I know it. I know that despair. The bleakness of that house in Baerum. No peace. No sanctuary. They were not to blame. I was lost. In the wrong place.

The rain has stopped. Sunday and it is my Proust day. I have him in French now. I must order the material and begin another. Where am I going? God knows.

Coffee and the Archers. One foot in front of the other. And small pleasures. It is enough. Until there is more.

Wind (259)

 I woke wanting to yield. I woke with the intention of succumbing to what is. I woke wanting to be good. But then came the wind. I felt like nothing. A non thing, a no thing. A leaf, a piece of jetsam, tossed. I couldn’t kick the bar, it was too strong. It jammed me against the wall of the Alexandra Hall. Hard against the stone. My legs became jelly. I stayed on the pavement side and crept, hands stroking wall, clutching. I am determined. I am resolute. Watch out for that corner. It is like a wind tunnel that one. The one just by what used to be the Aber Diner and is now something called The Electric. The scaffolding on what used to be the Town Hall rattles. It comes in gusts. I am blown thrown, jostled, nudged, battered and bashed. I have no gravity. My feet do not hold the ground. By the castle I have to crawl along clasping, grasping at the rail. Enough, I shout. Cursing. I used to shout on my bike to school. Shouting at the wind. Yesterday, when it was there but less violent there was a young man dancing. He was dancing on what we call the ship. It is a little balcony overarching the beach and looking out to sea. It looks like a prow of a ship. Hence, the ship. And he was dancing there at 4 am, his hands in his pockets. His feet doing all the work. Round and round like a helicopter seed. An eddy-ing. Head down, absorbed.

Under the bandstand canopy lies an umbrella, capsized, water-logged, its frame broken. One spike pointing upwards, the rest kaput.

I couldn’t walk to the harbour. I almost cried with frustration. My feet couldn’t move. I was scared. I was thrown against bins, cars, grabbing at wind mirrors, drainpipes. So undignified. You promise me you’ll be careful, he says to me. You promise? I do. I do. So I give up and I am devastated. I want to walk. I want to walk my path. And then I remember the vow to yield. To succumb. I take the back way home stopping for a moment on the crest of the little hill looking down on Llanbadarn Road. A wild night still. No one is out. Except me. I like it that way. That is what I seek. I walk beyond the turning for our road. Down towards Llanbadarn. The wind is still strong, even here. The trees whirl about, pulling at their roots.

Yesterday, outside The Angel, a student in a toga on a mobile phone.

Looking out of the window of my studio as I write I can see the wind is dying down. The fir trees jostle and the birds have taken to the sky again. Earlier there was none. None flying. They’re not stupid.

I have them in every room. Hyacinths. I want the smell. Sometimes sweet, sometimes cloying, sometimes almost rancid. A visceral smell. I love it. I love the first sweetness of it.

There are things I must do. Paperwork. All the evaluation stuff. Important work, but in this fog of bleakness hard to get to grips with. I will do it. I always do. Meanwhile, he has a bad back. He is not resilient. He takes to his bed. I cajole and try to cheer him. Be kind. Always be kind.

I forgot she’d died. Jenny Diski. I mourn her all over again.

Traffic cone

It’s been a while since I written this. I’ve been busy. First the workshops, then the performance and then all the writing about it. That took longer than I’d thought. And it was hard. But good. A good process. And she liked it soooooo much. He’s tickled pink. What a generous love. And now? I am a little bereft. There is still stuff to do, inevitably but that push, that hint of panic has dissipated.

Storm Doris passed by without incident here. A few roof tiles shattered. A smattering of road closures and men in hard hats armed with chainsaws near some swaying fir trees. Sky News were here nevertheless, with a reporter in my coat. The impossibly expensive coat. Do you remember?

What else? I have a pile of post-it notes. Aides memoires. Shorthand. A list of titles. Memory joggers. I try to commit them to memory as I walk. A young man coming out of The Angel in the early hours. (It is always the early hours for that is when I walk.) His hand reaching down to pick up a traffic cone. He lurches to the right and then lifting the cone off the ground he puts it on his head. He walks forward a little till it tumbles off. Cursing he lets it fall. A girl walks towards me, her face is bruised with crying. I feel like I am behind glass, watching from such a long way away. Nearing home a owl howls in the darkness.

I don’t have to do it. And sometimes I want to stop. And yet she seems so happy to get the calls. I shall sit by the phone, I told myself this morning, she said, so that I don’t miss her. Sometimes it is just the answering machine. She is out walking with the neighbour’s dog, or she hasn’t heard the phone. I can feel relieved, but then disappointed. It isn’t what we talk of, that is inconsequential, mostly. It is the connection, the separating out, the making her feel special. And she is. I want to fall into the cosiness of her. We talk of feeding the birds, of a wren that comes to her bird table. She has not been well. I walk at sea, she tells me. It takes a while before I realise she is talking about vertigo. Do you have a stick? I ask

There have been bats. In the mornings before dawn, bats lured by our headlights. Bats shooting in front of our car. Tiny swooping black things, like giant moths. Watch out. But they always miss.

A girl in pink tights and a lime green tutu is leaning against the railings of The Academy. Her companion, a young man in black, picks at the peeling paint and says, Elin, Elin, Elin, I’ve just said it now, word for word. His head hangs low. He is frustrated, irritated. She looks down at the pavement, listening but cowed. On Great Darkgate Street, another girl in the exact same outfit, waits, staring. Another girl comes towards me, part of the great surge after closing time. She is beautiful. Dusky-skinned with large almond eyes. Her sense of personal space is to pot and her face brushes close  tomine. She belches. Close to home a student in a hoodie is leaning against a doorway, is he asleep?

My sensibilities are keen in the early mornings. Smells are acuter and sights are almost wondrous. Walking up the hill behind the Alexander Hall, my reverie is cut into by a figure coming out from one of the many alleys. I hear her before I see her. Gazelle-like, she is skittering down the path in high heels and a short silk dress. Something shiny hangs about her shoulders. A sequinned bolero jacket. We are both equally alarmed. It’s the suddenness. A thief in the night. Her eyes stare. Accusing.

I catch the tail end of radio programme hosted by Paul Gambiccini about the Oscars. He plays excerpts from Twelve Years A Slave. Harrowing. The director, Steve McQueen talks about the importance of showing the horror. I cannot watch it. I know such atrocity but do I need to watch them? A violence to the soul. I can imagine and it is terrible. Some people’s lives. I cannot understand. All I can do is feel for them. Know their shoes.

So what of it? I am pleased with it. I am pleased to have done it. To have seen it through. There was power in it, for me. My ideas manifested. Getting them outside of me. I’d worked hard. There’s power in that.

Time for rest. If I will take it. We shall see. For today, there is just Proust, peace and porridge for tea.