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Café Drawing and Taxis

A flu jab and then two hours drawing in a café. A good morning’s work, I felt. The rain was relentless and the cafés door being open meant that the flow of customers was constant. I make him sit downstairs (he is my companion in all things these days) where it is cold and stark but for me, at least fruitful. I like the buzz of having to draw quickly, to make snap decisions – though I have yet to use all the drawing materials I spread out on the table. Most people don’t notice, though yesterday, a woman did come over and say something. I’d drawn her and her husband (he was a joy to sketch, she not so). She had one of those rather washed-through faces, without any real feature. A gentle, benign face, framed with soft, careful, blue-rinsed grey curls. Can I just say? she asked with a purring Welsh lilt. I looked up. Can I just say that you clearly have a talent for drawing people? I thanked her, wondering how she could’ve seen from where she was sitting whether I had talent or not. Then she went on to tell me about a girl she knew who used to draw in Chapel. She turned to her husband, you remember Sian, and how she used to take a pencil and paper into Chapel? She said this in English so that I might understand, though they were both Welsh speakers. I was touched. It seemed a big deal for her to come over and say that. We said goodbye when she left. I’m beginning to recognise some of the people I now habitually draw. This is a small town and people in small towns nurture routine. I want to get better, to find other ways of representing them, capturing them, listening to them, showing compassion through line. Can I do it?

Town was busy this morning as I walked (on the first dry morning for an age). The clubs had just ejected the young, and they flooded the pavements like un-shepherded cattle, coatless and wild and shouting. I find it hard to adjust to from being quietly in my head. Sometimes I think the wind (it was strong this morning) can make them so (I’ve seen it in horses). Though most were coatless, it was the spindly-legged girls in high heels, their thin summer dresses or scanty shorts offering little cover against the blasts of cold wind, that shivered and skittered like new-born foals. A middle-aged woman (tiny she was) stood at the bottom of Terrace Road, shrieking at a cluster of young men outside the 24hr SPAR. LUKE! she shouted. LUKE! I’M TAKING A FUCKING TAXI! No, response from any of them. Was Luke there? LUKE! she shouted again. LUKE, I’M GOING HOME ON MY FUCKING OWN!

By Ellen Bell

Artist and writer currently living in Aberystwyth.